Spanning from WWI to the 21st century, Eric Roth’s screenplay (based loosely on a 1922 short story by F. Scott Fitzgerald) tells the unique story of a man named Benjamin Button (Brad Pitt). He is born in New Orleans as a very old baby, the equivalent of a man in his 80s, who then ages backward into youth over the better part of a century. The film is told in flashback by a very old, dying woman Daisy (Cate Blanchett), who recounts her tale to her daughter (Julia Ormond) from a hospital bed during Hurricane Katrina. Left on the doorstep of a retirement home one night by his father (Jason Flemyng), Benjamin is brought up by Queenie (Taraji P. Henson), who runs the place. While there he meets a young girl, Daisy, who will become a key figure — romantically and otherwise — in his life. Ben does have some grand adventures: He goes to work on a boat, sees sea battles during WWII, finds love with an older married woman (Tilda Swinton) — and gets progressively younger as the decades fly by. It all manages to be alternately haunting, romantic, funny, epic, emotional and incredibly moving and will likely to stay with you a lifetime.
Brad Pitt manages to deliver a thoughtful and subtle performance through all the special effects makeup and CGI. A fresher Brad Pitt minus his bunch of family who are always with him wherever he goes.